A photoset with pin up model, Laura at the Bristol studio.
For makeovers, vintage, pinup and boudoir photography I often use clients’ own homes or locations but also have a full-equipped photographic studio right in the heart of central Bristol.
My studio is large enough for a wide range of portrait shoots and light commercial photography and I have already received several clients who love the easy-to-find location and space.
There are multiple professional studio lights and the space is served along one side by windows, allowing for natural light to be used.
While there is no parking on-site, being based in Bristol BS1 means several car parks are just a short walk away and it is situated near to the major train and bus routes.
While most suited to light commercial photography and portraiture I have complete several boudoir making cleaver use of the space and the abundance of natural light so is another option for any type of makeover photography.
Mz Bones, an alternative model from Bath, UK, recently visited my studio in central Bristol for a shoot combining boudoir with vintage pin-up style.
As well as an alt model, Mz Bones is a professional makeup artist. A strict vegan, she makes use of cosmetics that have not been tested on animals and contain no animal products.
She’s usually seen sporting bright magenta pink hair but here we decided to channel classic American pinup icons from Bettie Page through to Dita Von Tease by making great use of a black wig.
Here are some shots of amazing curvy model, Raphaella. They were taken as part of a shoot for a new magazine focussing on plus-sized fashion.
The location was a warehouse-style bar under some railway arches in central Birmingham and we made full use of the space, exploring the big Chesterfield armchairs and DJ booth.
As well as shooting for private individuals I photography for magazines and commercial use. Check out my main site http://www.hammondsphotography.com for more about my commercial freelance photography.
Here’s a fun set of boudoir photographs from last year. Making use of Charlie own small bedroom, window-light augmented by flash and some great makeup work by Marianne. I was delighted with how these came out and so was Charlie.
Doesn’t her foxy red hair really pop on camera?
Is a boudoir shoot for you? Or maybe you’d like to enjoy a beauty or contemporary fashion-style makeover instead? Click the ‘book a shoot’ link at the top of this site to enquire.
Retouching is the process photographers or their associates use to remove blemishes and imperfections from images and to further enhance them or give them a particular look.
Before computers started to play a major role in photography images could be given a certain feel by choosing one type of film over another, using different darkroom techniques, and air brushing images but hand. With the rise of the powerful desktop computer the possibilities are endless – but is that always a good thing for photography consumers?
I have a pretty straightforward philosophy when it comes to retouching images. My goal is to make you look like a fresh, healthy version of yourself. Yes, lines and imperfections are reduced and in some case completely removed but go too far and it becomes obvious and people viewing the images will notice the retouching. Retouching should be transparent, completely invisible to the person enjoying the image.
As you will probably know if you follow debates in the fashion and beauty media, computers are often used to radically reshape the models you see in glossy magazines, often removing inches of flesh and creating an image that has lost all connect to reality. While I will tidy up curves and little lumps and bumps I’m philosophically opposed to taking inches off people as beauty comes in all shapes and sizes.
Also, while computers allow photographers to create millions of effects I tend to keep my processing simple – perhaps making an images a little warmer and cooler in tone, a nudge of contrast, perhaps a light tint. Why? Because I don’t want your images to look dated to the 2010s when you look back at them in future years. There are some strange effects from faux-vintage filters or ‘high dynamic range’ that are the equivalents of those strange soft-focus effects of the 1970s.